![]() ![]() ![]() Automated retouching: The software automates the retouching process, significantly saving time and effort for users.This feature allows for precise and controlled shine reduction, resulting in a natural-looking matte effect. Shine reduction: Retouch4me Mattifier employs advanced algorithms to target and reduce shine in specific areas of the image, such as the forehead, nose, and chin.Retouch4me Mattifier saves both time and effort by automating the retouching process, allowing users to achieve a professional and polished result with just a few clicks. This software is particularly useful for portrait photographers and makeup artists who want to enhance the look of their models by reducing unwanted shine. With its advanced algorithms, Retouch4me Mattifier targets areas of the image that exhibit excess shine, such as the forehead, nose, and chin, and applies a natural matte effect. Retouch4me Mattifier is a photo editing tool designed to reduce shine and oily appearance in portrait photographs. ![]() How to install Retouch4me Plug-ins Pack.System requirements Retouch4me Plug-ins Pack.* * NOTE – This is not a super technical Photoshop tutorial but more for photographers who would like to trial frequency separation as part of their real family editing workflow. The caveat being that I did not want to spend hours retouching skin for family photoshoots as I prefer a more natural-looking skin texture.Īfter lots of reading and experimenting with different methods the answer was yes – there is a place for this within my workflow and I have now created my own frequency separation action which you can download for FREE at the bottom of this blog to try for yourself. ![]() I have heard the term Frequency separation discussed on editing blogs and sites, specifically in relation to high-end retouching of skin in the studio, so I decided to look further to see if there was a place for this within my process when editing real family photoshoots. I cull in Adobe Bridge, edit around 90% of my images in Adobe Camera Raw (ACR) and then, if needed, take the images into Photoshop to add a bit more punch and occasionally swap a head □ Over the last 10 years, I have refined my editing (and shooting) process for both my client and competition work. ** PLEASE NOTE THIS BLOG IS BEST VIEWED ON AN IPAD OR PC/MAC SO YOU CAN SEE THE DETAIL WITHIN THE IMAGES ** ![]()
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